Furthermore, the viewer responds both physically and intellectually. Although the ideal viewer of the renaissance was static, the ideal viewer of contemporary art is restless and mobile. The nature of the artwork has changed. The major innovation of the modern art was to define that the artwork literally occupies the same space as the viewer and stimulates most of the senses.
Audience Participation: Essays on Inclusion in Performance
Theatre Audiences
Architecture, Actor and Audience
The Audience and The Playwright: How to Get the Most Out of Live Theatre (Applause Books)
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